(Originally posted to The Corbett Report's YouTube page on October 14th, 2014.)
"FBI whistleblower, BoilingFrogsPost.com founder and author of the new spy mystery novel "The Lone Gladio" Sibel Edmonds sits down with James Corbett to discuss her book, how it was written, and how its fictional events and characters intersect with reality. From the power of self-publishing to subvert the traditional corporate media gatekeeper system to Operation Gladio and staged terror, this conversation covers it all."
Sunday, October 26, 2014
Sunday, October 19, 2014
From The SGT Report: CELENTE: ISIS, WW3 & THE NWO'S GRAND CHESSBOARD OF LIES
(Admin Notice: As I warned some time ago, if I need to make time for my novel it would at the expense of my blogs; this is me making time for that while keeping up engagement here. I will resume writing essays and observations when the time crunch relents.)
(Originally posted to YouTube on 10/12/2014)
"As the false flag terror sponsor Saudi Arabia threatens the West with the claim that "ISIS Will Be Here Soon" and warns of an "imminent threat" from which the U.S. and Europe "can't hide", Gerald Celente of the Trends Journal joins us to dissect the despicable, sinister plans of the New World Order and the madness of the 'Grand Chessboard'. The pieces are all lining up to take the world directly in to World War III if the maniacs in power are not stopped."
(Originally posted to YouTube on 10/12/2014)
"As the false flag terror sponsor Saudi Arabia threatens the West with the claim that "ISIS Will Be Here Soon" and warns of an "imminent threat" from which the U.S. and Europe "can't hide", Gerald Celente of the Trends Journal joins us to dissect the despicable, sinister plans of the New World Order and the madness of the 'Grand Chessboard'. The pieces are all lining up to take the world directly in to World War III if the maniacs in power are not stopped."
Sunday, October 12, 2014
Max Igan - Pattie Walkinturtle - These Changing Times Radio - Oct 4th 2014
Max made this appearance to further promote his overall plans to do something useful about the matters at hand, and how he got to this point.
Sunday, October 5, 2014
Max Igan: Reclaiming the Earth-Steps Towards a Collective Awakening
Max Igan gave this presentation at the Open Mind Conference Copenhagen in Denmark, which occurred over the weekend of September 21st of 2014. You see this because, underneath all of the historical details of his argument (some of which I have issues with), he has a valid foundation: the real wealth of this planet is the whole of the population, and everything else is illusory- and therefore ephemeral and changeable. We can do what we need to do without the systems of control that prey upon us.
Sunday, September 28, 2014
I Am Making My Move
I am, as of this post, committed to writing a novel. It is fiction. Indeed, it is a genre fiction novel in the Speculative Fiction realm (Science Fiction, Fantasy, Horror) because that genre area is one I am very familiar with and know well. That does not mean that I seek only to find a way to finance further operations; I am, as so many before me, using the creation of literature to communicate vitally important truths in a manner I cannot achieve in any other way. I am on my third draft, and I finished Chapter 5 on Thursday of last week. I start Chapter 6 tomorrow.
As this is a novel written as fiction, and intended to be sold as a commercial product, my first duty as a writer is to entertain. Nothing else I have to say means a damn thing if the reader is not willing to listen, and readers that enjoy what they read are more willing to do just that. So, no, I won't be following Ayn Rand's example; I'm aiming more for Tolkien, in that I too want to create a myth in order to demonstrate the power and importance of narrative as well as demonstrate how and why someone would want to use such power- i.e. why Empire wants such fundamental dominance of the individual.
I am not new at writing fiction. I've maintained an original fiction blog for five years now, and I've used that time to not only hone my craft as a writer but develop the discipline necessary to finish a project and make it readable. I have the benefit of knowing successful professionals, and I do read regularly. In other words, I have the bare minimum needed to seriously consider and attempt this project. I have Beta readers lined up to read the drafts as I finish them, and I expect that I will have something to offer sometime in 2015.
The consequence for my shift is that I will reduce this blog in priority. While a weekly schedule isn't that hard to keep up, and I've paced myself so far to handle this and the novel writing, I repeat what I said previously: should there be a schedule conflict, or some other pressing need, do count on this blog getting the chop first.
As this is a novel written as fiction, and intended to be sold as a commercial product, my first duty as a writer is to entertain. Nothing else I have to say means a damn thing if the reader is not willing to listen, and readers that enjoy what they read are more willing to do just that. So, no, I won't be following Ayn Rand's example; I'm aiming more for Tolkien, in that I too want to create a myth in order to demonstrate the power and importance of narrative as well as demonstrate how and why someone would want to use such power- i.e. why Empire wants such fundamental dominance of the individual.
I am not new at writing fiction. I've maintained an original fiction blog for five years now, and I've used that time to not only hone my craft as a writer but develop the discipline necessary to finish a project and make it readable. I have the benefit of knowing successful professionals, and I do read regularly. In other words, I have the bare minimum needed to seriously consider and attempt this project. I have Beta readers lined up to read the drafts as I finish them, and I expect that I will have something to offer sometime in 2015.
The consequence for my shift is that I will reduce this blog in priority. While a weekly schedule isn't that hard to keep up, and I've paced myself so far to handle this and the novel writing, I repeat what I said previously: should there be a schedule conflict, or some other pressing need, do count on this blog getting the chop first.
Sunday, September 21, 2014
A Free Man Tells His Own Story
So, what's your story?
Such a simple question, right? No, it's not, and you know it because it's not the right question.
The right question is "So, who's telling your story?" If you truly are a free man, then the only proper response is "I am, and I alone."
In history, journalism, and political science we use the word "narrative" to mean "the story that a party tells to explain their perspective with regard to a given matter". Political campaigns are, for all intents and purposes, struggles over which narrative is more compelling to those who decide upon what to do or whom to elect with regards to those matters. Control over that narrative, therefore, means control of what story gets told and how it's presented. This is why politics is about illusion and perception, not reality.
Empire, as a toxic meme--or, as John Lash puts it, the "archonic infection"--requires the manipulation of one's paradigm in order to operate; as a fundamental, existential requirement it comprehends the need (as one comprehends the need to breathe to stay alive) to subvert, seize, and thereby control the narrative. Empire needs to tell the story of your life--of Mankind's life--in order to lay the foundation necessary for latter-order levels of dominance and control.
In more plain speech, we're talking about myth. No, not myth as a synonym for "lie" or "false", but the way that Joseph Campbell revived the term: "the narrative that a nation tells itself to explain how it relates to the environment wherein it exists". Those that control the mythology of the nation control the nation's narrative, and thereby exert control over the individual narrative of that nation's people. By shaping the very ground wherein battle is joined, those who control the narrative control the very language used--the symbols employed, and the meanings they convey--by all parties, constraining what is even conceived of in the minds of the combatants long before any conflict ensues. This is, in a very real sense, what ancients such as Sun Tzu meant by defeating an enemy first, and then joining battle to expand a victory.
If someone else tells your story, then they are dictating to you what you are to yourself. They tell you what your world is, and how you relate to it, and they exert real power over you by doing this because they con you into accepting their claims and thus subordinate your beliefs against you for their benefit. Belief is a very powerful thing; that which is not permitted within one's mind due to belief cannot ever be considered, let alone acted upon, so if you believe that you are weak and powerless then you shall conform to that belief- and that belief always stems from a myth that someone else foisted upon you when you were too weak in fact to resist it.
Slaves are chained, first and foremost, by the myths told to them about them by others. Empire is a slaver; it wants you to believe the myths told to you about you by it--it wants to control your narrative--and it cannot rely upon the physical, objective reality wherein facts exist and can be independently and universally verified to support its toxic mythologies. If you, on the other hand, build your own mythology upon that very same reality--the one with gravity, chemistry, physics, etc.--then your mythology will be stronger than anything that does not rely on that same foundation. A free man's mythology is self-made, builds upon the real world, and is told by no one but himself. He alone controls his narrative.
So, will you tell the myth of how you made Empire fall? No one else can. No one else will.
Such a simple question, right? No, it's not, and you know it because it's not the right question.
The right question is "So, who's telling your story?" If you truly are a free man, then the only proper response is "I am, and I alone."
In history, journalism, and political science we use the word "narrative" to mean "the story that a party tells to explain their perspective with regard to a given matter". Political campaigns are, for all intents and purposes, struggles over which narrative is more compelling to those who decide upon what to do or whom to elect with regards to those matters. Control over that narrative, therefore, means control of what story gets told and how it's presented. This is why politics is about illusion and perception, not reality.
Empire, as a toxic meme--or, as John Lash puts it, the "archonic infection"--requires the manipulation of one's paradigm in order to operate; as a fundamental, existential requirement it comprehends the need (as one comprehends the need to breathe to stay alive) to subvert, seize, and thereby control the narrative. Empire needs to tell the story of your life--of Mankind's life--in order to lay the foundation necessary for latter-order levels of dominance and control.
In more plain speech, we're talking about myth. No, not myth as a synonym for "lie" or "false", but the way that Joseph Campbell revived the term: "the narrative that a nation tells itself to explain how it relates to the environment wherein it exists". Those that control the mythology of the nation control the nation's narrative, and thereby exert control over the individual narrative of that nation's people. By shaping the very ground wherein battle is joined, those who control the narrative control the very language used--the symbols employed, and the meanings they convey--by all parties, constraining what is even conceived of in the minds of the combatants long before any conflict ensues. This is, in a very real sense, what ancients such as Sun Tzu meant by defeating an enemy first, and then joining battle to expand a victory.
If someone else tells your story, then they are dictating to you what you are to yourself. They tell you what your world is, and how you relate to it, and they exert real power over you by doing this because they con you into accepting their claims and thus subordinate your beliefs against you for their benefit. Belief is a very powerful thing; that which is not permitted within one's mind due to belief cannot ever be considered, let alone acted upon, so if you believe that you are weak and powerless then you shall conform to that belief- and that belief always stems from a myth that someone else foisted upon you when you were too weak in fact to resist it.
Slaves are chained, first and foremost, by the myths told to them about them by others. Empire is a slaver; it wants you to believe the myths told to you about you by it--it wants to control your narrative--and it cannot rely upon the physical, objective reality wherein facts exist and can be independently and universally verified to support its toxic mythologies. If you, on the other hand, build your own mythology upon that very same reality--the one with gravity, chemistry, physics, etc.--then your mythology will be stronger than anything that does not rely on that same foundation. A free man's mythology is self-made, builds upon the real world, and is told by no one but himself. He alone controls his narrative.
So, will you tell the myth of how you made Empire fall? No one else can. No one else will.
Sunday, September 14, 2014
The Gnostic Media Podcast #212: 9/11 & Cyclical, Fear-Based Mind Control in the Media w/ Lenon Honor
Recorded on the 10th of this past week, I am embedding this interview because it does a great deal of good about explaining what is going on with the psychology behind the inside job that was 9/11 and how this technique for mind control (especially via opinion control) works in practice. Do watch, and sub to both Lenon and Jan's respective YouTube channels.
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